A reader of readers
Dear,
A good introduction to the reader of readers can be found here: 0 A reader of readers16-5-2018
With warm regards,
Henry Alles
Index:
No. 1 – August 2016
The Carrier Bag Theory of Fiction, Ursula K. Le Guin, in Dancing at the Edge of the World, Grove Press, 1989, p. 149-154, 1A LeGuin
No. 2 – September 2016
The production of mindscapes, Maarten H. Jacobs, The production of mindscapes: a comprehensive theory of landscape experience, Dissertation, Wageningen University, 2006, p. 233-235, 2A The production of mindscapes
No. 3 – Early August 2016
Practising Criticism, M. Foucault, Politics, philosophy, culture: interviews and other writings of Michel Foucault, 1977-1984, Routledge, 1988, p. 152-156, 3A practising critisism Foucault
Map 3 – mid august 2016 22 – 23,
No. 4 – October 2016
Commoning the arts? A field report, Nicolos Galeazzi, Turn, turtle! Re-enacting the Institute, 2017, editor: Elke van Campenhout, Berlin: Alexander Verlag Berlin, p. 174-183, 4A Nicolas Galeazzi on the commonsA
No. 5 – October 2016
The Production of Subjectivity: From Transindividuality to the Commons, J. Read, New Formations, Vol. 70. 2011, p. 113-131, 5A The_Production_of_Subjectivity_From_Tran
No. 6 – October 2016
Echoes across the Past, chorography and topography in antiquarian engagements with place, M. Shanks & C. Witmore, performance research 15(4), Taylor & Francis Ltd, 2010, p. 97-106, 6A Echoes across the past
No. 7 – November 2016
Having an experience, J. Dewey, Art as Experience, Penguin Books, 1934, p. 36-59, 7A Having an experience, J Dewey
No. 8 – December 2016
Notes toward a Politics of Location (1984), Adrienna Rich, Blood, bread and poetry, Norton & Company, New York, 1994, p. 210-231, 8A Adrienne-Rich-Notes-Toward-a-Politics-of-Location
No. 9 – January 2017
On Performance Writing, T. Etchell, in Theatre and Performance Design: a Reader in Scenography, Routledge, London, 2010, p. 98-108, 9A On performance writing – Etchells
No. 10 – January 2017
On the Absolute, the Sublime, and the Ecstatic Truth, W. Herzog, Arion 17.3, 2010, p. 1-12, 10A Herzog on absolute, sublime etc
No. 11 – February 2017
The Production of Locality, A. Appadurai, Modernity at large, Minnesota Press, USA, 1996, p. 178-199, 11A The production of locality
No. 12 – May 2017
Hearsay of the Soul, on Hercules Segers, W. Herzog, Walker Art Center, Minneapolis, USA, 1999, 12A doc_text_hearsay
No. 13 – May 2017
Tentacular Thinking: Anthropocene, Capitaloscene, Chthulucene, D. Haraway, E-flux, journal #75, 2016, p. 1-12, 13A Tentacular Thinking_ Anthropocene, Capitalocene, Chthulucene – Journal #75 September 2016 – e-fluxA
No. 14 – October 2017
De rust van de werkelijkheid, Diorama’s en dia’s, Christophe van Gerrewey, De Witte Raaf, Sep-Oct. 2017, p. 1-4, 14A De rust van de werkelijkheid
No. 15 – November 2017,
Text, chora-graphy, the body-text, Hans Lehmann, Postdramatic theatre, Routledge, 2006, p. 145-150, 15A Aspects – Lehmann
No. 16 – December 2017
Plastic bekertjes waar de doelpaal stond, Theo Toebosch, NRC, December 16th 2017, 16A Plastic bekertjes waar de doelpaal stond – NRC
No. 17 – December 2017
Interview ‘An unfinished conversation, Henry Alles, December 2017, 17A Interview Scott Rankin
No. 18 – February 2018
Creative Propositions for Thought in Motion, Erin Manning, 1 Inflexions 1.1, How is Research-Creation? , 2008, www.inflexions.org, 18A Creative-Propositions-for-Thought-in-Motion-by-Erin-Manning-1A
Map 19 – April 2018 backcover,
A reader of readers
Henry Alles, April 2018
Master of Theatre Practices, ArtEZ, 2016-201